Arts & Entertainment
Chicago Children’s Choir president and artistic director Josephine Lee ’07 MMus believes music can transcend barriers and elevate the boundless potential of young people.
Sterling Harris discusses his love for tap dancing, its cultural significance and its positive effect on the brain.
Cloris Leachman ’48, ’14 H died at her home in Encinitas, Cali., on Jan. 27 at age 94.
Ashley O’Shay’s documentary Unapologetic follows the work of two young Black women who organize for Black political, economic and social liberation. The feature-length documentary premiered at the BlackStar Film Festival in Philadelphia last summer.
First-time director Wendy Levine Sachs co-directed and produced Surge, a feature documentary film that follows three female candidates who fought to flip their districts from red to blue in the last midterm election.
Michael Moreci has written two novels, Black Star Renegades and its sequel, We Are Mayhem. He’s also written for Lucasfilm and recently finished work on The Clone Wars: Battle Tales, a five-issue miniseries that ties into The Clone Wars TV show.
Misha Euceph, a podcast host, writer and producer, created Dustlight Productions, a mission-driven podcast studio with diversity at its core. Dustlight will release its first original podcasts in 2021, and Euceph is an executive producer on The Michelle Obama Podcast.
After a number of parts in “big-swing comedies,” Kathryn Hahn ’95 moved to more substantial roles that cemented her place as a sought-after star. It’s clear now that she’s in love with her work: the deep dives into character, the exploration and messiness each role brings, the dedication to her fellow actors — and the creative magic that results.
The student-run Griffin’s Tale theater group canceled its performances last spring due to the COVID-19 pandemic. Now the group is ready to go virtual, adapting stories written by children into skits and creating a video that schools can stream.
When student performance groups returned to campus in the fall, social distancing and crowd safety guidelines forced them to adjust their art to a new, virtual reality.
